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Tuesday, February 12, 2019

Another Academy Mis-step

You can't make this stuff up. The Academy of Motion Picture Arts and Sciences issued an edit yesterday, stating that going forward the winners of four categories will have their Oscars given to them during the commercial breaks - and will not be seen by the show's viewers.

Oscarfest Just Gets Worse and Worse
This will be a first for the 91st Oscarfest and the choices meet with great criticism by the Academy's rank and file. The four categories are: Cinematography, Film Editing, Live-action Shorts, and Make-up.

Now, while I'm all in favor of the time saving efforts to shorten the Oscar telecast, I, also, question the choices.  Cinematography and Film Editing are at the center of any film's production and really deserve telecast recognition. But, once again, the Academy blew-it and made another huge mis-step.

Jim Lavorato


Well, it's not WHO you Think! Social media is all about fan-base and how you interact with your base.  Finding that perfect demographic that will cling to your tweets, selfies, Instagram pics, and Facebook and YouTube videos. Right now, the Top 10 Hollywood socialistas are the following:

1. Dwayne Johnson
2. Will Smith
3. Prijanka Chopra
4. Kevin Hart
5. George Takei
6. Tommy Chong
7. Jussie Smollett
8. Ricky Gervais
9. Terry Crews
10. Jason Momoa

Friday, February 01, 2019

Hollywood TIDBITS by: Seymour Flix

Academy Awards Get Worse By The Year

Who will be singing at the Oscars?
It's no secret that CMG is a big critic of the Oscars - prior posts abound regarding the ridiculous nature of the Awards from the political use of the podium to the very type of Awards bestowed.
That said, this year did not disappoint. Finding it impossible to even get a noted celeb to host the show this year's show is destined to be another flop.

For example, last week the studios representing three of the nominated Best Original Song were told that they had no time for them to perform their 'tunes' during the Oscarcast. Then..... this week they were told they would be included. So, as it stands now all five songs will be performed but (here's the catch) in a 'truncated 90 second form'. It this nuts!

It was not clear which, if any, of the performers associated with the nominated songs had accepted the Academy's offer to perform, be it Emily Blunt, Lady Gaga, Kindred Lamar and SZA, or Willie Watson.

Sources tell CMG that all of the nominees had united and told the Academy it was an "all perform or none perform" deal. It should be noted that the Academy tried to substitute the nominated songs with an opening of 'Bohemian Rhapsody' by member of Queen. This was resoundly rejected by Queen and will not be happening.

The five Best Original Songs nominated are:
- "I'll Fight" - 'RBG' - by Kate Hudson
- "The Place Where Lost Things Go" - 'Mary Poppins Returns'  by Emily Blunt
- "Shallow" - 'A Star Is Born' by Lady Gaga
- "All The Stars" - 'Black Panther' by Kindred Lamar and SZA
- "When A Cowboy Trades His Spurs For Wings" - "The Ballad of Buster Scruggs by Willie Watson 

Speaking of the Oscars, the CinemaCon gets the Cold-shoulder as well?
Losing Its Grip?

Sony Pictures will be spurning CinemaCon this year and Fox hasn't decided if it will attend the annual gathering of studios and movie exhibitors.

A representative of Sony confirmed that the studio decided against attending the fest. Sony did not elaborate on why it is opting out. Normally, all of the major studios give an hour-long presentation of their upcoming roster of films with footage and high-profile actors hyping the movies.

Fox, which is being acquired by Disney, has not yet decided whether to made a separate presentation of have it folded into Disney's presentation.

CinemaCon is operated by the National Association of Theatre Owners. Could this be the beginning of the end for the fest? With Netflix, Amazon and other non-Hollywood players now being part of the movie-scene and not being part of the cinema exhibition who knows?

Brits Are Happy, as Film and TV Production in UK passes $4 Billion Mark

Topping 3.1 billion pounds in 2018 the spending on high-end TV was up 4% and was the highest since tax breaks were introduced for big-budget productions in 2013.

England remains a production hot-spot, with multiple new studio projects in the works. Three of 2018s top five grossers at the British boxoffice were filmed in the U.K. - "Avengers: Infinity War", "Mamma Mia! Here We Go Again", and "Bohemian Rhapsody".

For 2019, the now Bond film will go into production as will TV biggie "Game of Thrones", and there is talk of Netflix setting up a U.K.-based production hub in Pinewood.

So, it appears that the U.K. will remain one of the most in-demand places in the world to create movie and TV content.

Just saying,

Seymour Flix
Movie critic  & Raconteur

Wednesday, January 23, 2019

'And The Winner Is'

And The Winner Is!
This year's Academy Award winner is, hands-down, Netflix. Amassing 15 Award nominations, Netflix was only bested by Fox/Searchlight with 20 and Disney/Universal with 17 each. Amazon, Netflix's content streaming arch rival, picked up three nominations, as did Paramount. Netflix's showing puts it on an equal footing with the major studios and foretells the future of movie distribution. 

Cinema exhibs take note: it's time to seriously consider using Netflix for distribution of their original content. Even if released day-and-date its content consumers want to view and screening by cinemas  will bring in viewers.  Don't dismiss Netflix's current and future influence and clout in the movie industry. Forming a relationship with Netflix would be very wise and prudent.

The big winner at this year's Oscars clearly has already been given and accepted - it's Netflix.

Just saying,

Jim Lavorato, President
Entertainment Equipment Corp.

Monday, January 14, 2019

James Bond: The Franchise With No End In Sight

Connery with iconic Aston Martin DB5
Next Year, 25 motorheads will be taking delivery of new DB5s - the famous car used in the early Bond films, such as 'Goldfinger'.  CMG had previously scribed about this event and now it is a reality. Aston Martin, EON (Bond movie producers) and special effects team at Pinewood Studios will deliver-up 28 of the retro DB5s.  To be dubbed 'Continuations', in a nod to the working title of the next Bond film (#25).

Bullet shield
One of the cars will remain at Aston, one for EON, and one to be auctioned for charity, the remaining 25 are already pre-sold at an all in price of  $4.26 million. The cars will be finished in the original Silver Birch and boast several of the authentic Goldfinger-spec gadgets. The ejector seat won't be present, nor the machine guns, or wheel slashers. The red ejector seat button (which will serve another purpose) will be present, as will the revolving number plates, and hopefully the bullet-proof shield.  Up-to-date navigation, phone, sound, media screens will be repackaged in retro guise complete with old-school handset mounted in the driver's door.
Wheel-slashers won't be included

These DB5s will be a lot of fun for those rich enough to indulge but they will not pass off as the genuine movie cars (of which there were three). The last which sold for $3.35 million or about $900,000 less than the new retros sold for.

Aston Martins are great cars and the DB5 one of their best models ever made. The newest is the DB11 which is being phased out to make way for a new DB12. Can't wait to see it!

Jim Lavorato
Entertainment Equipment Corp.

Sunday, January 13, 2019

City of Angels Going To Seed

Tents and trash on the streets in trendy Venice area of LA
Liberal laws regarding squatters' rights have resulted in swelling on-street encampments in Los Angeles - many in up-scale neighborhoods and are a real test case for the area's showbiz residents.

Vandalism, tire-slashing, assaults, home robberies, are rampant as LA grapples with the homeless epidemic. Last year, the city budgeted $100m for affordable housing, addiction treatment, job placement, and health-care services - to no avail.

It has become very difficult for residents with liberal social beliefs to balance their political values with the transient issue they have to endure and the impact the street-people have on their property values.

Encampments of non-domiciled people have swelled in LA's trendy residential areas, where homes easily sell in the eight-digit figures and up!  Tents, set up on the streets (many equipped with mini-refrigerators, TVs, heaters, etc.) vie with pedestrian traffic.  These 'camps' even have names. According to police, the encampment squatters use a media app called 'Next Door' to monitor which residents are most vocal about their opposition to encampments and then target those residents for retribution.
To protect streets of squatters residents construct large planting boxes

Hollywood's vagrant problems started when laws and ballot measures were enacted during the early 2000s. For example, a 2006 ruling by the 9th U.S. Circuit Court required that law enforcement in LA could no longer enforce a ban on sleeping on sidewalks anywhere in the city.  While two CA ballot measures, that were overwhelming approved in 2016, decriminalized many felonies to address the State's over-populated prisons.

There seems to be no quick-fix for the issue, and like its sister city San Francisco, it is and will remain one of LA's most difficult problems. 

Jim Lavorato

Thursday, December 27, 2018

Serving Up Another Record Breaker in 2019

The reboot and sequel, no orphans to the big screen, will be out in mass next year. The high-impact action and animated films will, again, lead the way to a, predicted, $12 billion U.S. box office. Here's how it will get there:

January - 'Glass'
February - ' Lego 2', 'How To Train Your Dragon'
March - 'Captain Marvel, 'Us', 'Dumbo', 
April - 'Pet Sematary', 'Shazan', 'Hellboy'. 'Avengers', 
May - 'Pokemon', 'Aladdin', 'Godzilla', 'Rocketman'
June - 'Dark Phoenix', 'Men In Black', 'Toy Story 4'
July - 'Spiderman', 'Lion King', 'Once Upon A Time In Hollywood'
August - dog days
Sept. - 'IT'
October - 'Joker', 'You Are My Friend'
Nov. - 'Frozen 2'
Dec. - 'Stars Wars'

We may be going out on a limb but it's a sure bet that 2019 will be a great vintage for the movie industry. I'll drink to that!

Jim Lavorato
Entertainment Equipment Corp.


Tuesday, December 25, 2018

2019 - IT'S HERE by Seymour Flix

Crash & Burn

The flop of the '18 season is 'Welcome to Marwen', it took a $50m loss as it bombed at the B.O.

 'Marwen' was the worst wide-release to open in 2018 and gave Universal a double-take as the prior week 'Mortal Engines' tanked and is expected to lose $125m after all is said and done.
B.O. Bomb of 2018

Exhibs had warned Universal that 'Marwen' was a dog in pre-show reviews so it was no surprise. I think 'Marwen" will come off of marquees this week to make way for more screens running 'Aquaman', 'Mary Poppins Returns', and 'Bumblebee'.

Union Town

For all of its rampant liberalism, H'wood is just another blue-collar, union town - be it the blue-collars wear custom jeans and drive high-end buggies.
President of Local 399

A shinning example of this is the local casting Directors Union, Teamsters Local 399 (and affiliated Local 817 in NYC) which represents about 500 casting directors/agents. Last week Teamsters inked a three year deal with the studios and networks. The deal had been postponed, as a West Coast Master Contract, for the 40,000 strong member, International Alliance of Theatrical Stage Employees, was negotiated.

Call it what you will: union, guild, alliance, H'wood is a union town through and through.

The Bright Side

Even before the holiday B.O. kicked-in, the pre X-mas U.S. gross tallied a record $11.4b and put 2018 as the highest grossing year in cinema history.

Ticket prices also broke the record, with the average at $9.38, while attendance was up 4% over 2017.

As of today, Christmas, Disney led the B.O. take with 5 of the top 10 grossers. The high-impact, super heroes led the way with 'Black Panther' and 'Avergers' followed by action-animation with 'Incredibles 2'. 'Jurassic World' and 'Dead Pool' rounded-out the top 5, which together grossed $2.43b.

Event Cinema - Just Do It!

Movie theatres are more and more looking to live events and one-night screenings to bolster the Sunday-Thursday movie dead-space time-frame.

For 2018, Event Cinema, is anticipated to generate over $351m in B.O. gross and continue with an expected growth rate of 6% for 2019.

Events offered up are the Met Opera, Turner Classic Movies, professional boxing, National Live Theatre, the Bolshoi, and rock concerts from Coldplay, Bon Jovi, and One Direction.

All exhibs., lg. and small, should be looking at Event Cinema and Live Nation Entertainment as a mid-week alternative to films. Just Do It!


So, that's it for now and I'll be contacting you next week - have a great New Year!


Friday, December 14, 2018


The movies have been in a catch-up mode since the 1950s when TV was introduced. It's always been - what can the movies offer that you can't get at home.  From smell-a-vision to 3D, from Panavision to surround sound it has always been the next thing to entice the public to the big screen.

For the last decade, with the introduction of digital cinema, its been content. The high-impact, action, super-hero or animated films that bring to the screen a viewing experience still unattainable at home.

Now, with the ever-present cell, tablet, or PC, people need down-time and the cinema is one place to get some relief.  This factor may be the salvation of the cinema going forward - as you can't get away from the barrage at home, in fact, the home has become the worst place to get solace from the internet or phone.

We all look for personal release. A few hours where we can relax and concentrate on just being entertained without interruption - having 'me' time. The problem is: having 'me' time is getting harder and harder to obtain. One of the places to get it is going to the movies - it's what you can't get at home.

Jim Lavorato
Cinema Mucho Gusto

Friday, December 07, 2018

Next:The Battle of the Streamers

 Netflix: more subscribers than Amazon Prime, Hulu, Sling, and YouTube TV
The cinema industry is trying to defend the theatrical release window from the likes of Netflix - on the other hand, Disney and AT&T are developing their own content streaming models to battle Netflix.

Problem for the last-to-the-table streamer hopefuls is the cost to get into the game. For Disney+ (the current name of Disney's upcoming subscription streaming service) the 'admission fee' to enter the streaming game to compete against Netflix will easily exceed $3 billion and potentially lots more.

Yes, Disney has the franchise brands: Pixar, Marvel, Star Wars, soon, National Geographic, and the Fox's entertainment assets (for which the Mouse House is paying a whooping $71.3 billion), but is this enough and is Disney stretched too thin in terms of financial and people assets to pull-off a revolt against the King-of-the-hill in subscription content streaming.

With over 137 million subscribers worldwide, Netflix is the King-of-the-hill in the world of content streaming. It would take a monumental effort to unseat it. Even Disney is not up to the task as far as CMG is concerned. 

Disney will have to undercut Netflix's monthly fee, at least initially, to gain market. Which would mean a subscription priced at around $8 per month.  That would equate to big-time losses, as it is rumored Disney has committed to spending over $100 million just for a live-action Star Wars show.  Additionally, Disney will take a $400 million hit not renewing its current content deal with Netflix which expires at the end of this year. And given Netflix's dominant market position, it will be hard for Disney to acquire and keep subscribers.

Netflix is spending over $2 billion this year for content. It is not saddled with legacy studio expenses nor theme parks, and certainly not ESPN and its atrocious sports rights deals, which have plagued Disney,  Thing is, Disney has no choice but to get into the streaming mix, as that's where the future in entertainment lies. My hunch is that Disney will always be a marginal player in the streaming content business and never obtain dominance.

Jim Lavorato
Cinema Mucho Gusto

Tuesday, December 04, 2018

Getting Closer To 'Day and Date' Release

Calls For Shorter Theatrical Window. From Cannes to Singapore the call for shortening the theatrical release window is in full swing. 

Last week, at the Singapore International Film Festival, noted film producer/director David Puttnam called for a shortening of the theatrical release window, saying "a 30 day window would be ideal and we should, very rapidly, move towards this holdback period. After which films should be available on whatever medium people want."

No, This Will Not Happen - Cinemas Will Stay
The idea, which has been bandied about, whereby films would be available in cinemas for just three weeks, before making way for newer releases, but then not being available to audiences for the next 12-14 weeks when relaunched in other formats - is, for me, dead. This idea makes no sense for the exhib as they need films for more than three weeks' play to fill their marquee and because people want to see the films, that have now disappeared from viewing, for three months. Very poor idea.

Netflix to release self-produced films theatrically. The highly acclaimed, 'Roma' and two other films are going to be released by Netflix in cinemas before streaming. This is a major shift, and an appeasement to cinema exhibs  by Netflix and was hailed by the U.S. movie industry.

'Roma', 'The Ballad of Buster Scruggs', and 'Bird Box' are all award contenders and Netflix wants to take advantage of this.  The question is: For a film (to call itself such) must, at some point, be screened at a cinema? If yes, then the day-and-date release of a film via streaming and cinema is the ultimate answer and where the game will end.

This is a best case scenario for movie exhibs, although many do not see it this way. I say, best case, because the movement to a shorter and shorter release window is a reality. Additionally, and more importantly, many people want to view films (especially the high-impact and animated fare) on a large screen with big sound in a shared environment.

Just saying,
Jim Lavorato, Cinema Mucho Gusto


Sunday, November 18, 2018

MPAA Gets New Ratings Boss

The Motion Picture Association of America (MPAA) announced, last week, that Joan Graves, the world's chief movie rater, will step-down and be succeeded by Kelly McMahon. McMahon, who has functioned as VP & General Counsel of the MPAA, has been dubbed 'deputy chair of the Classification and Rating Administration Board (CARA)'.

Charles Rivkin, CEO of the MPAA, lauded Graves for her long and loyal service and said that McMahon would continue "to shape the future of the rating system and continue the mission of helping parents make informed viewing choices for their children." As prior head of CARA, Graves viewed and rated over 12,500 movies during her tenure.

CARA,  which recently celebrated its 50th anniversary, has performed a great service for Hollywood in providing benchmark rating for, not only parents, but all moviegoers. Current rating classifications:

Jim Lavorato
Cinema Mucho Gusto

Saturday, November 17, 2018

The Cinema-world: What Lies Ahead

Ripe For M&A

According to John Malone, billionaire media investor, removing the middlemen from content production and going direct to consumers will foster a rash of mergers and acquisitions between the major studios and networks over the next several years. He's RIGHT!

Malone argues that Netflix, Amazon, Apple, the remaining FAANGs and other gate-crashers in the streaming content biz are end-running the major studios with their direct-to-consumer strategy.

Studios Just Couldn't Get It Right

You have to hand it to Netflix, in the very volatile world of mass entertainment they have achieved great success and up-ended a 100 year-old industry.

Hollywood played Netflix all wrong. First it was, Netflix needs content and they'll buy it from us. Then it became - they will buy it from us and we'll keep the rights. Then it became - they will  buy it from us and we don't keep the rights. Then it became - if we don't deal with them, they will go to our talent pool and produce content themselves.  Which Netflix DID!  Now Netflix both, and produces their own content.

$100 Billion Content

With a projected spend-level of $100b a year for quality content worldwide (which, I believe is unsustainable) the need to merge and/or acquire to get larger to survive is inevitable.  CMG believes Malone is correct - the mass entertainment industry is changing and all players must figure out, and quickly, where they are going to wind-up.

Related Issue: Italy Falls On Own Sword

Last week Italy enacted a new law which regulates the theatrical window on Italian films. The new law dictates that there will be a wait-period of 105 days after the first cinema screening before a movie could be streamed via Netflix. The new law only applies to Italian films. France has similar screening rules but are stricter still - a minimum of four months for VOD and a full 36 months for SVOD content.


CMG believes that laws that restrict day-and-date release are bad for all participants.

- These laws hinder audience choice. Certain films can, and should, be released day-and-date. Those with big-screen pull and big audience draw are a prime example where both the exhibitor and streamer can benefit.

- These laws restrict the roster of films available to cinemas to screen, and streamers, such as Netflix offer very favorable gross terms vs. the major studios.

- These laws stifle local production of films as the streamers require/need local content to generate more subscriber acquisition.

I could go on; however, it's easy to see the short-sighted impact these release restrictions have.  Hey, why not let the consumer decide if they want to view a particular movie on the big screen, their TV or their mobile device. The exhibitors need to work with the Netflixes and not against them.

Just saying,
Jim Lavorato
Cinema Mucho Gusto

Tuesday, November 06, 2018

Cinema Tidbits by Seymour Flix

Yes, it's been awhile since we've connected, but that's the way of superstars. But the Flixster is still alive and well and my fan-base as loyal as ever. so, let us get started with some
Cinema Tidbits from yours truly.

The End of Madea
Tyler Perry and  Perry as Madea

'Madea' is being put to rest after almost 20 years.  Yes, the Tyler Perry, rough-talking grandma character which appeared in dozens of films, plays, and TV appearances is going into 'permanent' retirement. 

Perry plans on doing a farewell stage tour in 2019, "Tyler Perry's a Madea Family Funeral" to say farewell to his iconic character. It would be an understatement to say that Madea made Perry a very rich man. The film franchise alone, consisting of 10 movies, has grossed over $500 million.

"I'm happy to kill the old bitch, man" Perry said during an interview with Bevy Smith. "I just don't want to be her age, playing her." Well said Tyler, who wrote and directed most of the Madea films.
Perry has said that the character was loosely based on his own mother, and is known for the use of comical and vulgar language, and has a litany of criminal offenses.

For sure, Madea has made us all laugh over the years, and it will be with regret that we see her put to rest. We wish Tyler all the best.

May Be Overdoing Their Cause
Weinstein: Could the 'Me Too"  Movement Overplay Their Hand?

In an amended class action suit filed last Wednesday in NYC, the beleaguered mogul was accused of sexually assaulting a 16-year old girl.  The action, brought forth by an anonymous woman, charged that she was repeatedly attacked by Weinstein from 2002 - 2011 beginning when she was 16.

Weinstein vehemently denied the allegations. His attorney, Ben Brafman stated, "This claim is preposterous. Like so many other women in this case who have already been exposed as liars, this latest, uncorroborated charge, that is 20 years old, will also be shown to be patently false."

Filed under a Jane Doe, the complaint states that the victim continued to have dealings with Weinstein over the source of 9 years.

With this latest accusation, the 'Me Too' movement may be going too far and actually diminishing the validity of their cases against Weinstein. Already, another case against him was dismissed , with the Judge, in that case, stating there was a lack of evidence in how Weinstein and the Board at The Weinstein Group might have operated to conceal his alleged predation.

With the Supreme Court appointment of Bret Kavanaugh, and all of the false allegations brought to bear, Weinstein may benefit from that fiasco.  Only time and justice will tell.

FlimStruck Shutters Doors
AT&T says goodbye to FilmStruck

FilmStruck, the Cinephile streaming service was struck-down after two years in operation. Turner Communications and Warner Bros. owners of FilmStruck announced that FS would cease operations by Nov. 29th.

WarnerMedia, now owned by AT&T, and in charge of all mainstream direct-to-consumer entertainment services decided that FilmStruck did not fit into their strategic plans. FilmStruck hosted hundreds of classic, arthouse, indie, and foreign films - many of them exclusive to the streamer.

It will be missed by many fans and a large following of H'wood directors and producers.

Sequel to 'Crazy Rich Asians' to be filmed in China
'Crazy Rich Asians' Sequel - To Be Shot In China

Although the film won't be released in Chinese cinemas until November end, the producers of the very popular film say the sequel will be shot in China. Entitled "China Rich Girlfriend" the sequel will be filmed in Shanghai, and be the second adaptation of the "Asians" series of books by Kevin Kwan.

'Crazy Rich Asians' has grossed $232 million since its release and its screening in China could push the gross to over $350 million. I saw and enjoyed the film and it deserves a sequel.

All the best,
Seymour Flix

Saturday, October 27, 2018

Aston Martin Brings Bond DB5 Back

Thanks to an unexpected collaboration between Aston Martin, Bond movie producers EON, and the  special effects team at Pinewood Studios, James Bond's Aston DB5 is BACK!
Connery with DB5 as appeared in 'Goldfinger'

Aston Martin announced that it is going to build a run of 28 Bond DB5 Continuations, in honor of the upcoming 25th Bond movie due to be released in 2019.  25 of the cars will be sold to the public plus one for Aston Martin, one for EON, and one to be auctioned off for charity. Price per car 2,75m pounds (approx. $3.5m).

The cars will be built at the Aston Martin Works at Newport Pagnell,  home of the original DB5. They will be manufactured to the original plans and using traditional methods while incorporating the latest advances in auto technology while remaining true to the character of the Bond DB5.  The cars will all be painted Silver Birch and have several of the gadgets the original movie cars had (no, there will be no ejector seat or concealed machine guns) but there will, must likely, be revolving license plates and modern navigation and phone systems incorporated into the retro dashboard.

Delivery of the DB5s will be in 2020 with all 25 cars pre-sold before production.

Happy motoring,
Jim Lavorato, CMG

Friday, October 26, 2018

Privacy First

Data Protection Regulation is NEEDED
Hollywood goes to great lengths to protect their intellectual property, in fact, all of media goes to great lengths to protect all sorts of intellectual property from patents and copyrights to books and video games.

Yet, it is very difficult for consumers to grasp and appreciate how social media companies are collecting, analyzing, sharing, and selling a tremendous amount of information about

It has reached a point where uniform privacy protections that would provide meaningful consent for the use of online information no matter where they go on the internet is now required.

CMG believes that a national online privacy framework should start with the consumer and be grounded in the concept of empowering and informing consumers to control the personal information that is collected about them online.

Consumers should be empowered to have meaningful choice for each use of their data through opt-in consent. The consent options should be purposeful, clear, and meaningful with no 'pre-ticked boxes', 'take-it-or-leave-it offers', of other default consents. Additionally, the consent should be renewable at reasonable frequency.

Explanation about how companies collect, use, and maintain consumer' data should be clear, concise,  easy-to-understand, and readily available. Consumers should have the ability to weigh the benefits and harms of collection and use of their data.

Consent must be applied uniformly across the entire Internet and not based on who is collecting it, or whether a service is free or paid - and whether they are using an ISP, a search engine, e-commerce site, streaming service, social network, or mobile carrier or device. 

Consumers should be protected under a single, national standard that protects regardless of where you live, work, or travel - the protection should not under individual State laws.

There are many accounts of data misuse and privacy laws are long overdue. Consumers deserve and have a right to control how their personal information is collected and used whenever they use the internet and whenever they go online.

Just saying,
Jim Lavorato

Monday, October 22, 2018

Holiday B.O. - Starting Off With A Bang

Halloween kills it a the box office- 40 yrs. later
As CMG predicted, this holiday season box office will be stellar. It started off with 'Halloween' which killed it with a launch last weekend with a $77.5m b.o.  It came on the back of 'Venom' which had I $80m take earlier this month.

'Halloween' is a long-awaited sequel - over 40 years between the original and this latest film. However, this movie combined the return of the original star, Jamie Lee Curtis, great writing, and great filmmaking.

Both 'Venom' and 'A Star is Born' were big winners this month. Both topping over $100m since their releases. 'Venom' $171m and 'A Star is Born' $126m.  So far, October tally is more than 54% ahead of last year. Adding to this year being 10.6% higher than 2017.

CMG believes this trend will continue throughout the rest of the year - with November and December being record-breaking month at the box office. Enjoy exhibs. You deserve it!

Just saying,
Jim Lavorato
Cinema Mucho Gusto

Tuesday, October 16, 2018

Sexual Charges Against Weinstein Get TOSSED

Some of Weinstein's accusers.
Allegations made by Lucia Evans, who was among the first women to publicly accuse Bernie Weinstein, were tossed out of court last Thursday.  The charges were dismissed after evidence emerged that a police detective had coached a witness to stay silent about evidence that cast doubt on the account one of his three accusers.

Harvey still faces charges over allegations that he raped an unidentified woman in his hotel room in 2013 and performed a forcible sex act on a different woman in 2006.

In the Evans case, a woman closed to Evans told the police detective that Evans had told her that what had happened in Weinstein's office was consensual as Weinstein had promised her an acting job if she agreed to perform oral sex and she agreed. According to this witness, who was not named in the Court filing, Evans had been drinking and "appeared to be upset, embarrassed and shaking" when she told her story.

Weinstein's lawyer, Ben Brafman, told the Judge he believed Evans had lied both to the grand jury and to the New Yorker Magazine about her encounter with Weinstein. "The integrity of these proceedings has been compromised" he said, and suggested that Evans should be prosecuted criminally for perjury.

Weinstein has pleaded not guilty to all charges and is free on $1 million bail.

The clouds are parting, at least a little, for Bernie and it could well be that in the end all of the charges against him are dropped for both lack of hard evidence and consentuality based upon getting a movie role or model booking.

Jim Lavorato

Wednesday, October 10, 2018

Smartglasses Assist With LIVE Theater Performances

Augmented reality or AR proved its value last week when the National Theater in London introduced smartglasses that provide real-time subtitles for hearing
impaired audience members.

Epson's  'smart caption glasses'
The 'smart-caption glasses' show the dialogue as the on-stage actors say it, allowing the users to keep their eyes on the stage. The glasses are produced by
Epson and were over two years in development to get things right. Originally, the captions were to be displayed on the audience members' phones but that became too distracting for the other audience members.

The software developed is able to follow along with the speech live and sends the words to the glasses via WiFi. The software also recognizes lighting changes and will alter the placement of captions for optimal viewing.

The glasses retail for $1,050 per pair. Which is not out of reasons given the cost of the normal movie theater hearing impaired products' costs.

So, once again AR is applied to a real world situation and proved to be very valuable. Future uses of this technology will include real-time language translation.

By: Jim Lavorato
Cinema Much Gusto

Best Multiplex of the Year Award: Mayajaal 16plex.

Monday, October 01, 2018

Weinstein Team Goes On The Defense

The defense for both the civil and criminal allegations against Harvey Weinstein is going to take a four-tiered approach, all of which will be held in various courts in NYC.

Here's how the defense is taking shape:

#1 - The Grand Jury Was Not Given Proper Evidence.  Principally emails between Weinstein and a woman accusing him of rape in 2013.  The emails, allegedly suggest the relationship was consensual and continued after the incident in question.

#2 - Relationships Were Consensual.  To discredit his accusers Weinstein has released photographs and letters showing that the women maintained contact with him after the alleged assaults.

#3 - Company Didn't Hide Anything. Weinstein's defense team is trying to get a lawsuit filed by six women seeking a class-action suit (which if cleared would allow over 80 women to be part of the legal proceedings).  In court, the plaintiffs' lawyers were told they must prove that "an enterprise engaged in a pattern of racketeering activity over an extended period of time."

Additionally, defense attorneys argued that the women have failed to back allegations of a conspiracy and sex trafficking as nothing was offered in exchange for sex.

#4 - Events Happened Too Long Ago. Defense attorneys have argued that the allegations for criminal charges are too old and lack any forensic evidence, ie. DNA.

So, there you have it. Weinstein won't be going down without a fight and some of his defenses have merit.  The saga continues.

Stay in touch,
Jim Lavorato
Cinema Mucho Gusto

Saturday, September 29, 2018

'A' Listers and Voice-overs

All have multiple voice-over credits
Why do 'A' Listers rent out their iconic voices to be in the world of animation?  From Eddie Murphy (Mulan, Shrek) to Brad Pitt (Sinbad, Megamind, Happy Feet), Emily Blunt (Gnomeo and Juliet, My Little Pony). The majority of the time these big-screen stars do multiple voice-overs.

Jackie Chan, who has appeared in over 150 films has lent his voice to Kung Fu Panda, Nut Job, and the Lego Ninjago films.  Johnny Depp lent his voice to Corpse Brides and Gnomeo and Juliet.  Hugh Jackman, who broke into the industry with his casting as Wolverine in X-Men, but despite his action hero roles he has found time to voice-over in films such as Happy Feet and Rise of the Guardians.
The Donkey in Shrek is Iconic

Why do these stars do voice-overs? Because they are fun! You get to be in the best animated films portraying over-the-top, funny characters, most of which aren't human. The scripts are normally very funny and there is no worry about make-up, wardrobe, stunts, sets. Most of the films are family-friendly and you can 'play' anything: from alien, to fish, to donkey and humanize the role.

The late Robin Williams did many voice-overs. Aladdin,, FernGully, Last Rain Forest, Robots, and Happy Feet to name several.

It's all great fun and each character takes on a life of its own with an iconic voice of a noted actor.

Jim Lavorato
Cinema  Mucho Gusto

Thursday, September 13, 2018

Street Gangs & H'wood: Working Together

It's no secret that H'wood uses street gangs when shooting movies in inter-city locations. Tech production advisers work with gangs to smooth out the 'rough issues' (which can get very dicey).

It's very careful work in dealing with gang leaders in using their turf and fellow gang members as movie extras. The production advisers negotiate the where film crews will be and when the film shooting with take place. But even then, movie cars disappear, props are stolen, and money is paid out for safety. The film crews must be seen as guests and not neighborhood occupiers, and the gang members must be empowered in the process. For the most part, if treated correctly, street gangs will cooperate and lend real cred to the movie.

Normally, a community leader is hired as neighborhood liaison. That person will help ease the path and aid in selecting the people who will, in turn, be hired as background cast and perhaps even a small part in the film.

So, when viewing your next film where street gangs are involved remember - 'Real life is just on the edges and it's not all that good'. 

Jim Lavorato
Entertainment Equipment Corp.